King Crimson - Frame By Frame, аккорды песни для гитары

King Crimson - Frame By Frame, аккорды песни для гитары This is the 7/8 guitar part that Belew plays during the singing: ----------------!----------------!- ----------------!---------------! ----------2-----!----------2-----!- ----------2-----!---------2-----! --2---4-----4---!--2---4-----4---!- --2---4-----4---!--2---4----4---! ----4---4-----4-!----4---4-----4-!- ----3---3-----3-!----3---3----3-! ----------------!----------------!- ----------------!---------------! ----------------!----------------!- ----------------!---------------! ----------------!----------------!----------------! ----------2-----!----------2-----!----------5-----! --1---4-----4---!--1---4-----4---!--5---7-----7---! repeat the same pattern ----3---3-----3-!----3---3-----3-!----7---7-----7-! at the 5th fret. ----------------!----------------!----------------! ----------------!----------------!----------------! The fripp line on top of the belew 7/8 is basically the same riff in alternating bars of 6 and 7, but Keeping The Same 8th note value. This produces the funky intervals you hear... and you thought it was a delay! (I know I did first time I heard it... 8-)). ------------------|---------------| ------------2-----|----------2----| --2---4-------4---|--2---4--------| ----2---2-------2-|----2---2---2--| ------------------|---------------| etc. over the 7/8 above... ------------------|---------------| The chording during fripps' wacked out picking in the intro and between verses seems to be a barred 9th chord, dropping the unison on the G string to the major 7th, ie --2-----2--2----| --2-----2--2----| --4-----3--4----| --4-----4--4----| --2-----2--2----| --2-----2--2----| with appropriate whammy bar antics for the first chord, then up to a Dsus2 (5th & 7th frets) then again another 3rd. Oh yeah, when the 13/8 and 7/8 fall back together, they play for about 3 bars both in 7 then drop the bass note as noted above. Some one is yet to figure out the "wacked out fripp part". However, it's based on the following: ------------------------------------------------ ------------------------------------------------ ------------------------------------------------ -----5-7-5-------5-7-5-------5-7-5-------------- -5-8-------8-5-8-------8-5-8-------8------------ etc ------------------------------------------------ Which modulates up to the 7th fret, then 10th, then 11th. The rhythm is strange, I can't pin down if it's sextuplets, 6 against 4, or what. It seems like he adds some notes sometimes to make things fit in.
King Crimson - Frame By Frame, аккорды песни для гитары This is the 7/8 guitar part that Belew plays during the singing: ----------------!----------------!- ----------------!---------------! ----------2-----!----------2-----!- ----------2-----!---------2-----! --2---4-----4---!--2---4-----4---!- --2---4-----4---!--2---4----4---! ----4---4-----4-!----4---4-----4-!- ----3---3-----3-!----3---3----3-! ----------------!----------------!- ----------------!---------------! ----------------!----------------!- ----------------!---------------! ----------------!----------------!----------------! ----------2-----!----------2-----!----------5-----! --1---4-----4---!--1---4-----4---!--5---7-----7---! repeat the same pattern ----3---3-----3-!----3---3-----3-!----7---7-----7-! at the 5th fret. ----------------!----------------!----------------! ----------------!----------------!----------------! The fripp line on top of the belew 7/8 is basically the same riff in alternating bars of 6 and 7, but Keeping The Same 8th note value. This produces the funky intervals you hear... and you thought it was a delay! (I know I did first time I heard it... 8-)). ------------------|---------------| ------------2-----|----------2----| --2---4-------4---|--2---4--------| ----2---2-------2-|----2---2---2--| ------------------|---------------| etc. over the 7/8 above... ------------------|---------------| The chording during fripps' wacked out picking in the intro and between verses seems to be a barred 9th chord, dropping the unison on the G string to the major 7th, ie --2-----2--2----| --2-----2--2----| --4-----3--4----| --4-----4--4----| --2-----2--2----| --2-----2--2----| with appropriate whammy bar antics for the first chord, then up to a Dsus2 (5th & 7th frets) then again another 3rd. Oh yeah, when the 13/8 and 7/8 fall back together, they play for about 3 bars both in 7 then drop the bass note as noted above. Some one is yet to figure out the "wacked out fripp part". However, it's based on the following: ------------------------------------------------ ------------------------------------------------ ------------------------------------------------ -----5-7-5-------5-7-5-------5-7-5-------------- -5-8-------8-5-8-------8-5-8-------8------------ etc ------------------------------------------------ Which modulates up to the 7th fret, then 10th, then 11th. The rhythm is strange, I can't pin down if it's sextuplets, 6 against 4, or what. It seems like he adds some notes sometimes to make things fit in.

King Crimson - Frame By Frame, аккорды песни для гитары

This is the 7/8 guitar part that Belew plays during the singing:
----------------!----------------!- ----------------!---------------!
----------2-----!----------2-----!- ----------2-----!---------2-----!
--2---4-----4---!--2---4-----4---!- --2---4-----4---!--2---4----4---!
----4---4-----4-!----4---4-----4-!- ----3---3-----3-!----3---3----3-!
----------------!----------------!- ----------------!---------------!
----------------!----------------!- ----------------!---------------!

----------------!----------------!----------------!
----------2-----!----------2-----!----------5-----!
--1---4-----4---!--1---4-----4---!--5---7-----7---! repeat the same pattern
----3---3-----3-!----3---3-----3-!----7---7-----7-! at the 5th fret.
----------------!----------------!----------------!
----------------!----------------!----------------!

The fripp line on top of the belew 7/8 is basically 
the same riff in alternating bars of 6 and 7, 
but Keeping The Same 8th note value.
This produces the funky intervals you hear... 
and you thought it was a delay! 
(I know I did first time I heard it... 8-)).

------------------|---------------|
------------2-----|----------2----|
--2---4-------4---|--2---4--------|
----2---2-------2-|----2---2---2--|
------------------|---------------| etc. over the 7/8 above...
------------------|---------------|

The chording during fripps' wacked out picking in the intro and
between verses seems to be a barred 9th chord, dropping the
unison on the 
G
string to the major 7th, ie --2-----2--2----| --2-----2--2----| --4-----3--4----| --4-----4--4----| --2-----2--2----| --2-----2--2----| with appropriate whammy bar antics for the first chord, then up to a
Dsus2
(5th & 7th frets) then again another 3rd. Oh yeah, when the 13/8 and 7/8 fall back together, they play for about 3 bars both in 7 then drop the bass note as noted above. Some one is yet to figure out the "wacked out fripp part". However, it's based on the following: ------------------------------------------------ ------------------------------------------------ ------------------------------------------------ -----5-7-5-------5-7-5-------5-7-5-------------- -5-8-------8-5-8-------8-5-8-------8------------ etc ------------------------------------------------ Which modulates up to the 7th fret, then 10th, then 11th. The rhythm is strange, I can't pin down if it's sextuplets, 6 against 4, or what. It seems like he adds some notes sometimes to make things fit in.
This is the 7/8 guitar part that Belew plays during the singing:
----------------!----------------!- ----------------!---------------!
----------2-----!----------2-----!- ----------2-----!---------2-----!
--2---4-----4---!--2---4-----4---!- --2---4-----4---!--2---4----4---!
----4---4-----4-!----4---4-----4-!- ----3---3-----3-!----3---3----3-!
----------------!----------------!- ----------------!---------------!
----------------!----------------!- ----------------!---------------!

----------------!----------------!----------------!
----------2-----!----------2-----!----------5-----!
--1---4-----4---!--1---4-----4---!--5---7-----7---! repeat the same pattern
----3---3-----3-!----3---3-----3-!----7---7-----7-! at the 5th fret.
----------------!----------------!----------------!
----------------!----------------!----------------!

The fripp line on top of the belew 7/8 is basically 
the same riff in alternating bars of 6 and 7, 
but Keeping The Same 8th note value.
This produces the funky intervals you hear... 
and you thought it was a delay! 
(I know I did first time I heard it... 8-)).

------------------|---------------|
------------2-----|----------2----|
--2---4-------4---|--2---4--------|
----2---2-------2-|----2---2---2--|
------------------|---------------| etc. over the 7/8 above...
------------------|---------------|

The chording during fripps' wacked out picking in the intro and
between verses seems to be a barred 9th chord, dropping the
unison on the 
G
string to the major 7th, ie --2-----2--2----| --2-----2--2----| --4-----3--4----| --4-----4--4----| --2-----2--2----| --2-----2--2----| with appropriate whammy bar antics for the first chord, then up to a
Dsus2
(5th & 7th frets) then again another 3rd. Oh yeah, when the 13/8 and 7/8 fall back together, they play for about 3 bars both in 7 then drop the bass note as noted above. Some one is yet to figure out the "wacked out fripp part". However, it's based on the following: ------------------------------------------------ ------------------------------------------------ ------------------------------------------------ -----5-7-5-------5-7-5-------5-7-5-------------- -5-8-------8-5-8-------8-5-8-------8------------ etc ------------------------------------------------ Which modulates up to the 7th fret, then 10th, then 11th. The rhythm is strange, I can't pin down if it's sextuplets, 6 against 4, or what. It seems like he adds some notes sometimes to make things fit in.
This is the 7/8 guitar part that Belew plays during the singing:
----------------!----------------!- ----------------!---------------!
----------2-----!----------2-----!- ----------2-----!---------2-----!
--2---4-----4---!--2---4-----4---!- --2---4-----4---!--2---4----4---!
----4---4-----4-!----4---4-----4-!- ----3---3-----3-!----3---3----3-!
----------------!----------------!- ----------------!---------------!
----------------!----------------!- ----------------!---------------!

----------------!----------------!----------------!
----------2-----!----------2-----!----------5-----!
--1---4-----4---!--1---4-----4---!--5---7-----7---! repeat the same pattern
----3---3-----3-!----3---3-----3-!----7---7-----7-! at the 5th fret.
----------------!----------------!----------------!
----------------!----------------!----------------!

The fripp line on top of the belew 7/8 is basically 
the same riff in alternating bars of 6 and 7, 
but Keeping The Same 8th note value.
This produces the funky intervals you hear... 
and you thought it was a delay! 
(I know I did first time I heard it... 8-)).

------------------|---------------|
------------2-----|----------2----|
--2---4-------4---|--2---4--------|
----2---2-------2-|----2---2---2--|
------------------|---------------| etc. over the 7/8 above...
------------------|---------------|

The chording during fripps' wacked out picking in the intro and
between verses seems to be a barred 9th chord, dropping the
unison on the 
G
string to the major 7th, ie --2-----2--2----| --2-----2--2----| --4-----3--4----| --4-----4--4----| --2-----2--2----| --2-----2--2----| with appropriate whammy bar antics for the first chord, then up to a
Dsus2
(5th & 7th frets) then again another 3rd. Oh yeah, when the 13/8 and 7/8 fall back together, they play for about 3 bars both in 7 then drop the bass note as noted above. Some one is yet to figure out the "wacked out fripp part". However, it's based on the following: ------------------------------------------------ ------------------------------------------------ ------------------------------------------------ -----5-7-5-------5-7-5-------5-7-5-------------- -5-8-------8-5-8-------8-5-8-------8------------ etc ------------------------------------------------ Which modulates up to the 7th fret, then 10th, then 11th. The rhythm is strange, I can't pin down if it's sextuplets, 6 against 4, or what. It seems like he adds some notes sometimes to make things fit in.

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