Exodus - Piranha, аккорды песни для гитары

Exodus - Piranha, аккорды песни для гитары Exodus Piranha Another Lesson In Violence (live) Transcribed by Mike Kimball, Jan 2002 [[email protected]] [geocities.com/bloodmetalcontent] As with all guitar tablature, a mono-spaced font (e.g. Courier or Monaco) is required to display properly... This album is played with guitars tuned down to D (all six strings down a whole step). Fig. 1 |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |--5---6---6---4-5--|--5---6---3---3---- |--3-334-443-33-----|--3-334---1-111---- Fig. 2 |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |--5---5-5-----5----|--5---5---3--2----- |--3-333-3-33333-33-|--3-333-3-------4-- Fig. 3 |-------------------------------------------------------------------- |-------------------------------------------------------------------- |-------------------------------------------------------------------- |-----------------------------------------------5-------------------- |--5---6-------3-------5---3--2-----5---6-------3-------5---3--2----- |--3-334---1-111---3-333---------4--3-334---1-11----3-333---------4-- Fig. 4 [gtr. 1] |------------------------------------------------ |------------------------------------------------ |------------------------------------------------ |-----------------------------6--------5--------- |--3--2-----3--2-----6--5------------------------ |--------4--------4--------7--------------------- [gtr. 2] |------------------------------------------------ |------------------------------------------------ |------------------------------------------------ |--5--4-----5--4-----8--7-----10-------9--------- |--------6--------6--------9--------------------- |------------------------------------------------ Fig. 5 (solo backing) [part 1 = Fig. 1] [part 2] |----------------------------------------------------------------------- |----------------------------------------------------------------------- |----------------------------------------------------------------------- |----------------9-7-----------5-7-9-------------9-7-----12---11-------- |--2-------------7-5-----------3-5-7-------------7-5-----10---*9-12-10-- |--0-000-000-000-----000-000-00------000-000-000-----000---------10-*8-- Fig. 6 [both] |----------------------------------- |----------------------------------- |----------------------------------- |----------------------------------- |--9-------8------------------------ |--7-------6-000-000-000-000-000-00- [gtr. 1] |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|-----------------------------4---------------------------- |--9-------8--------|-8---------------------------2---2-2-2-2-2-2-2-2-2-2-2-2-- |--7-------6-000-00-|-6---0-0-0-0-0-0-0-0-0-0-0-0------------------------------ [gtr. 2] |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|-----------------------------4---------------------------- |--5-------4--------|-4---------------------------2---2-2-2-2-2-2-2-2-2-2-2-2-- |------------000-00-|-----0-0-0-0-0-0-0-0-0-0-0-0------------------------------ End with Fig. 4 and then Fig. 1. Visit MetalTabs.com for more metal tablatur
Exodus - Piranha, аккорды песни для гитары Exodus Piranha Another Lesson In Violence (live) Transcribed by Mike Kimball, Jan 2002 [[email protected]] [geocities.com/bloodmetalcontent] As with all guitar tablature, a mono-spaced font (e.g. Courier or Monaco) is required to display properly... This album is played with guitars tuned down to D (all six strings down a whole step). Fig. 1 |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |--5---6---6---4-5--|--5---6---3---3---- |--3-334-443-33-----|--3-334---1-111---- Fig. 2 |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |--5---5-5-----5----|--5---5---3--2----- |--3-333-3-33333-33-|--3-333-3-------4-- Fig. 3 |-------------------------------------------------------------------- |-------------------------------------------------------------------- |-------------------------------------------------------------------- |-----------------------------------------------5-------------------- |--5---6-------3-------5---3--2-----5---6-------3-------5---3--2----- |--3-334---1-111---3-333---------4--3-334---1-11----3-333---------4-- Fig. 4 [gtr. 1] |------------------------------------------------ |------------------------------------------------ |------------------------------------------------ |-----------------------------6--------5--------- |--3--2-----3--2-----6--5------------------------ |--------4--------4--------7--------------------- [gtr. 2] |------------------------------------------------ |------------------------------------------------ |------------------------------------------------ |--5--4-----5--4-----8--7-----10-------9--------- |--------6--------6--------9--------------------- |------------------------------------------------ Fig. 5 (solo backing) [part 1 = Fig. 1] [part 2] |----------------------------------------------------------------------- |----------------------------------------------------------------------- |----------------------------------------------------------------------- |----------------9-7-----------5-7-9-------------9-7-----12---11-------- |--2-------------7-5-----------3-5-7-------------7-5-----10---*9-12-10-- |--0-000-000-000-----000-000-00------000-000-000-----000---------10-*8-- Fig. 6 [both] |----------------------------------- |----------------------------------- |----------------------------------- |----------------------------------- |--9-------8------------------------ |--7-------6-000-000-000-000-000-00- [gtr. 1] |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|-----------------------------4---------------------------- |--9-------8--------|-8---------------------------2---2-2-2-2-2-2-2-2-2-2-2-2-- |--7-------6-000-00-|-6---0-0-0-0-0-0-0-0-0-0-0-0------------------------------ [gtr. 2] |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|-----------------------------4---------------------------- |--5-------4--------|-4---------------------------2---2-2-2-2-2-2-2-2-2-2-2-2-- |------------000-00-|-----0-0-0-0-0-0-0-0-0-0-0-0------------------------------ End with Fig. 4 and then Fig. 1. Visit MetalTabs.com for more metal tablatur

Exodus - Piranha, аккорды песни для гитары

Exodus
Piranha
Another Lesson In Violence (live)
Transcribed by Mike Kimball, Jan 2002
[[email protected]]
[geocities.com/bloodmetalcontent]

As with all guitar tablature, a mono-spaced font
(e.g. Courier or Monaco) is required to display properly...

This album is played with guitars tuned down to 
D
(all six strings down a whole step). Fig. 1 |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |--5---6---6---4-5--|--5---6---3---3---- |--3-334-443-33-----|--3-334---1-111---- Fig. 2 |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |--5---5-5-----5----|--5---5---3--2----- |--3-333-3-33333-33-|--3-333-3-------4-- Fig. 3 |-------------------------------------------------------------------- |-------------------------------------------------------------------- |-------------------------------------------------------------------- |-----------------------------------------------5-------------------- |--5---6-------3-------5---3--2-----5---6-------3-------5---3--2----- |--3-334---1-111---3-333---------4--3-334---1-11----3-333---------4-- Fig. 4 [gtr. 1] |------------------------------------------------ |------------------------------------------------ |------------------------------------------------ |-----------------------------6--------5--------- |--3--2-----3--2-----6--5------------------------ |--------4--------4--------7--------------------- [gtr. 2] |------------------------------------------------ |------------------------------------------------ |------------------------------------------------ |--5--4-----5--4-----8--7-----10-------9--------- |--------6--------6--------9--------------------- |------------------------------------------------ Fig. 5 (solo backing) [part 1 = Fig. 1] [part 2] |----------------------------------------------------------------------- |----------------------------------------------------------------------- |----------------------------------------------------------------------- |----------------9-7-----------5-7-9-------------9-7-----12---11-------- |--2-------------7-5-----------3-5-7-------------7-5-----10---*9-12-10-- |--0-000-000-000-----000-000-00------000-000-000-----000---------10-*8-- Fig. 6 [both] |----------------------------------- |----------------------------------- |----------------------------------- |----------------------------------- |--9-------8------------------------ |--7-------6-000-000-000-000-000-00- [gtr. 1] |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|-----------------------------4---------------------------- |--9-------8--------|-8---------------------------2---2-2-2-2-2-2-2-2-2-2-2-2-- |--7-------6-000-00-|-6---0-0-0-0-0-0-0-0-0-0-0-0------------------------------ [gtr. 2] |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|-----------------------------4---------------------------- |--5-------4--------|-4---------------------------2---2-2-2-2-2-2-2-2-2-2-2-2-- |------------000-00-|-----0-0-0-0-0-0-0-0-0-0-0-0------------------------------ End with Fig. 4 and then Fig. 1. Visit MetalTabs.com for more metal tablatur
Exodus
Piranha
Another Lesson In Violence (live)
Transcribed by Mike Kimball, Jan 2002
[[email protected]]
[geocities.com/bloodmetalcontent]

As with all guitar tablature, a mono-spaced font
(e.g. Courier or Monaco) is required to display properly...

This album is played with guitars tuned down to 
D
(all six strings down a whole step). Fig. 1 |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |--5---6---6---4-5--|--5---6---3---3---- |--3-334-443-33-----|--3-334---1-111---- Fig. 2 |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |--5---5-5-----5----|--5---5---3--2----- |--3-333-3-33333-33-|--3-333-3-------4-- Fig. 3 |-------------------------------------------------------------------- |-------------------------------------------------------------------- |-------------------------------------------------------------------- |-----------------------------------------------5-------------------- |--5---6-------3-------5---3--2-----5---6-------3-------5---3--2----- |--3-334---1-111---3-333---------4--3-334---1-11----3-333---------4-- Fig. 4 [gtr. 1] |------------------------------------------------ |------------------------------------------------ |------------------------------------------------ |-----------------------------6--------5--------- |--3--2-----3--2-----6--5------------------------ |--------4--------4--------7--------------------- [gtr. 2] |------------------------------------------------ |------------------------------------------------ |------------------------------------------------ |--5--4-----5--4-----8--7-----10-------9--------- |--------6--------6--------9--------------------- |------------------------------------------------ Fig. 5 (solo backing) [part 1 = Fig. 1] [part 2] |----------------------------------------------------------------------- |----------------------------------------------------------------------- |----------------------------------------------------------------------- |----------------9-7-----------5-7-9-------------9-7-----12---11-------- |--2-------------7-5-----------3-5-7-------------7-5-----10---*9-12-10-- |--0-000-000-000-----000-000-00------000-000-000-----000---------10-*8-- Fig. 6 [both] |----------------------------------- |----------------------------------- |----------------------------------- |----------------------------------- |--9-------8------------------------ |--7-------6-000-000-000-000-000-00- [gtr. 1] |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|-----------------------------4---------------------------- |--9-------8--------|-8---------------------------2---2-2-2-2-2-2-2-2-2-2-2-2-- |--7-------6-000-00-|-6---0-0-0-0-0-0-0-0-0-0-0-0------------------------------ [gtr. 2] |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|-----------------------------4---------------------------- |--5-------4--------|-4---------------------------2---2-2-2-2-2-2-2-2-2-2-2-2-- |------------000-00-|-----0-0-0-0-0-0-0-0-0-0-0-0------------------------------ End with Fig. 4 and then Fig. 1. Visit MetalTabs.com for more metal tablatur
Exodus
Piranha
Another Lesson In Violence (live)
Transcribed by Mike Kimball, Jan 2002
[[email protected]]
[geocities.com/bloodmetalcontent]

As with all guitar tablature, a mono-spaced font
(e.g. Courier or Monaco) is required to display properly...

This album is played with guitars tuned down to 
D
(all six strings down a whole step). Fig. 1 |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |--5---6---6---4-5--|--5---6---3---3---- |--3-334-443-33-----|--3-334---1-111---- Fig. 2 |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |-------------------|------------------- |--5---5-5-----5----|--5---5---3--2----- |--3-333-3-33333-33-|--3-333-3-------4-- Fig. 3 |-------------------------------------------------------------------- |-------------------------------------------------------------------- |-------------------------------------------------------------------- |-----------------------------------------------5-------------------- |--5---6-------3-------5---3--2-----5---6-------3-------5---3--2----- |--3-334---1-111---3-333---------4--3-334---1-11----3-333---------4-- Fig. 4 [gtr. 1] |------------------------------------------------ |------------------------------------------------ |------------------------------------------------ |-----------------------------6--------5--------- |--3--2-----3--2-----6--5------------------------ |--------4--------4--------7--------------------- [gtr. 2] |------------------------------------------------ |------------------------------------------------ |------------------------------------------------ |--5--4-----5--4-----8--7-----10-------9--------- |--------6--------6--------9--------------------- |------------------------------------------------ Fig. 5 (solo backing) [part 1 = Fig. 1] [part 2] |----------------------------------------------------------------------- |----------------------------------------------------------------------- |----------------------------------------------------------------------- |----------------9-7-----------5-7-9-------------9-7-----12---11-------- |--2-------------7-5-----------3-5-7-------------7-5-----10---*9-12-10-- |--0-000-000-000-----000-000-00------000-000-000-----000---------10-*8-- Fig. 6 [both] |----------------------------------- |----------------------------------- |----------------------------------- |----------------------------------- |--9-------8------------------------ |--7-------6-000-000-000-000-000-00- [gtr. 1] |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|-----------------------------4---------------------------- |--9-------8--------|-8---------------------------2---2-2-2-2-2-2-2-2-2-2-2-2-- |--7-------6-000-00-|-6---0-0-0-0-0-0-0-0-0-0-0-0------------------------------ [gtr. 2] |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|---------------------------------------------------------- |-------------------|-----------------------------4---------------------------- |--5-------4--------|-4---------------------------2---2-2-2-2-2-2-2-2-2-2-2-2-- |------------000-00-|-----0-0-0-0-0-0-0-0-0-0-0-0------------------------------ End with Fig. 4 and then Fig. 1. Visit MetalTabs.com for more metal tablatur

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