Browne Jackson - Road, аккорды песни для гитары

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
 
To: [email protected]
Subject: CRDPRO: The Road  by  Jackson Browne

I have noticed a terrible lack of Browne stuff, so here is my little contribution. These are just the 
but the original is played in finger picking style; if anyone is interested, I can try to transcribe it in TAB.

Bye,


				   Alberto Riva

				   [email protected]
				   Department of Computer and Systems Science
				   University of Pavia
				   Italy

---Cut Here--- ---Cut Here--- ---Cut Here--- ---Cut Here--- ---Cut Here---
{title: The Road}
{st: Jackson Browne}
#
# By Alberto Riva
# [email protected]
#
{define 
G5
+ 1 3 0 0 1 -1 3}
{define 
C/B
 1 0 1 0 0 2 -1}
{define 
C#dim
 4 0 2 1 2 1 0}
{define 
D7/F#
 1 -1 1 2 0 0 2}
{define 
G/F#
 1 3 0 0 0 -1 2}
{define 
Am7
 1 0 1 0 2 0 0}
[
G
]Highways and d[
G5
+]ancehalls, a g[
G
]ood song takes you f[
G5
+]ar
[
G
]You write ab[
G/F#
]out the m[
Em
]oon and you d[
C
]ream ab[
C/B
]out the st[
Am
]ars...
[
G
]Blues in old mot[
G5
+]el rooms, g[
G
]irls in daddy's c[
G5
+]ars
[
G
]You sing ab[
G/F#
]out the n[
Em
]ight and you l[
C
]augh ab[
C/B
]out the sc[
Am
]ars...

[
G
]Coffee in the m[
G5
+]orning, c[
G
]ocaine aftern[
G5
+]oons
[
G
]You talk ab[
G/F#
]out the w[
Em
]eather and you gr[
C
]in ab[
C/B
]out the r[
Am
]ooms...
[
G
]Phone calls long d[
G5
+]istance to t[
G
]ell you how you've b[
G5
+]een
[
G
]You forget ab[
G/F#
]out the l[
Em
]osses, you ex[
C
]agger[
C/B
]ate the w[
Am
]ins...

{soc}
[
Em
]And when you st[
Am7
]op to let them kn[
C#dim
]ow you've got it d[
C
]own...
It's j[
C
]ust an[
C/B
]other t[
Am7
]own al[
D7/F#
]ong the r[
G
]oad.
{eoc}

[
G
]Ladies come to s[
G5
+]ee you, if your n[
G
]ame still rings a b[
G5
+]ell
[
G
]They give you d[
G/F#
]amn' near n[
Em
]othin' and they'll s[
C
]ay the kn[
C/B
]ew you w[
Am
]ell...
So you t[
G
]ell'em you'll rem[
G5
+]ember, but they kn[
G
]ow it's just a g[
G5
+]ame
And al[
G
]ong the w[
G/F#
]ay their f[
Em
]aces all beg[
C
]in to l[
C/B
]ook the s[
Am
]ame...

{comment: Chorus}

Well it [
G
]isn't for the m[
G5
+]oney and it's [
G
]only for a wh[
G5
+]ile,
[
G
]You stalk ab[
G/F#
]out the r[
Em
]ooms and you r[
C
]oll aw[
C/B
]ay the m[
Am
]iles...
[
G
]Gamblers in the n[
G5
+]eon, cl[
G
]ingin' to guit[
G5
+]ars,
[
G
]You write ab[
G/F#
]out the m[
Em
]oon and you're wr[
C
]ong ab[
C/B
]out the st[
Am
]ars...

{comment: Chorus}

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
 
To: [email protected]
Subject: CRDPRO: The Road  by  Jackson Browne

I have noticed a terrible lack of Browne stuff, so here is my little contribution. These are just the 
but the original is played in finger picking style; if anyone is interested, I can try to transcribe it in TAB.

Bye,


				   Alberto Riva

				   [email protected]
				   Department of Computer and Systems Science
				   University of Pavia
				   Italy

---Cut Here--- ---Cut Here--- ---Cut Here--- ---Cut Here--- ---Cut Here---
{title: The Road}
{st: Jackson Browne}
#
# By Alberto Riva
# [email protected]
#
{define 
G5
+ 1 3 0 0 1 -1 3}
{define 
C/B
 1 0 1 0 0 2 -1}
{define 
C#dim
 4 0 2 1 2 1 0}
{define 
D7/F#
 1 -1 1 2 0 0 2}
{define 
G/F#
 1 3 0 0 0 -1 2}
{define 
Am7
 1 0 1 0 2 0 0}
[
G
]Highways and d[
G5
+]ancehalls, a g[
G
]ood song takes you f[
G5
+]ar
[
G
]You write ab[
G/F#
]out the m[
Em
]oon and you d[
C
]ream ab[
C/B
]out the st[
Am
]ars...
[
G
]Blues in old mot[
G5
+]el rooms, g[
G
]irls in daddy's c[
G5
+]ars
[
G
]You sing ab[
G/F#
]out the n[
Em
]ight and you l[
C
]augh ab[
C/B
]out the sc[
Am
]ars...

[
G
]Coffee in the m[
G5
+]orning, c[
G
]ocaine aftern[
G5
+]oons
[
G
]You talk ab[
G/F#
]out the w[
Em
]eather and you gr[
C
]in ab[
C/B
]out the r[
Am
]ooms...
[
G
]Phone calls long d[
G5
+]istance to t[
G
]ell you how you've b[
G5
+]een
[
G
]You forget ab[
G/F#
]out the l[
Em
]osses, you ex[
C
]agger[
C/B
]ate the w[
Am
]ins...

{soc}
[
Em
]And when you st[
Am7
]op to let them kn[
C#dim
]ow you've got it d[
C
]own...
It's j[
C
]ust an[
C/B
]other t[
Am7
]own al[
D7/F#
]ong the r[
G
]oad.
{eoc}

[
G
]Ladies come to s[
G5
+]ee you, if your n[
G
]ame still rings a b[
G5
+]ell
[
G
]They give you d[
G/F#
]amn' near n[
Em
]othin' and they'll s[
C
]ay the kn[
C/B
]ew you w[
Am
]ell...
So you t[
G
]ell'em you'll rem[
G5
+]ember, but they kn[
G
]ow it's just a g[
G5
+]ame
And al[
G
]ong the w[
G/F#
]ay their f[
Em
]aces all beg[
C
]in to l[
C/B
]ook the s[
Am
]ame...

{comment: Chorus}

Well it [
G
]isn't for the m[
G5
+]oney and it's [
G
]only for a wh[
G5
+]ile,
[
G
]You stalk ab[
G/F#
]out the r[
Em
]ooms and you r[
C
]oll aw[
C/B
]ay the m[
Am
]iles...
[
G
]Gamblers in the n[
G5
+]eon, cl[
G
]ingin' to guit[
G5
+]ars,
[
G
]You write ab[
G/F#
]out the m[
Em
]oon and you're wr[
C
]ong ab[
C/B
]out the st[
Am
]ars...

{comment: Chorus}